March 9, 2010 - Volume 19, No. 10
a Winkler Company publication
 
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Gem City Ballet awakens Sleeping Beauty

Artists such as Barbara Pontecorvo, Director of Gem City Ballet, should be in charge of the US Space program. They know neither limitations nor bounds. Flying to the moon would be just another project to perform to perfection.

The young company members who make up GCB are all devoted students of ballet. They learn from a great dancer who performs, with the help of her attorney husband David Shough and a very devoted board, miracles on pointe shoes.

The quality of the company hearkens back to the days when Dayton Ballet was a training company. Infused with the dance passion of Josephine and Hermene Schwarz, Jon Rodriguez and Bess Saylor, they carry the passion and love of their art to the stage and thence forward into their lives.

Barbara’s latest goal, like flying to the moon, was to mount a full length classical ballet at the Victoria. Tchaikovsky’s The Sleeping Beauty was chosen and work began.

The company was enlarged by inviting two great professional dancers, Kristi Capps and Dmitri Trubchanov of Cincinnati and Colorado Ballets. Supernumeraries filled the character roles such as king, queen and major domo.

The real enlargement of the company was the assignment of several roles, all quite different, to each dancer. This also meant many costumes, probably nearing 70 in number. The costumes were made by Barbara’s needlecraft and a few borrowed from Cincinnati Ballet. Yes, she also sweeps out the studio and cooks like Julia Child. What a woman!

The set, an imposing and mutable pavilion, was designed and constructed by David who also serves as production manager. What a couple!

The ballet, in four acts, tells the fairy tale of Sleeping Beauty and her rescue by Prince Charming. Dance, pure dance in a variety of classic forms, is the driving force behind the telling of the tale. The familiar music was made for dancing and dance they do.

The principal roles were danced by the guest artists and by Krystal Palmer as the Lilac Fairy and Claire Bergman as the evil enchantress Carabosse. Major roles were performed by Chloe Donaldson and her partner Andrew Wingert, Evelyn Ritzi and Da’Shawon Body. Five lovely high school freshmen, Oakwood’s Hadley Smith, Sophia Cothrel, Morgan Hale, Sarah MacKenzie and Kerri Hemmelgarn, danced the demanding parts of the five fairies. The famous jewel quartet added Lauren Clark, Clarice Perryman, Molly McDonald and Sophia Cothrel.

Had I more space, I should name the entire cast. Still fresh after four acts, these wonderful young artists are each, like Sleeping Beauty, touched by an awakening kiss. In this case the kiss is not from a prince but the art of dance. It is not instantaneous but takes years of hard work. The result – dancers – but more important great young persons who will do their part to make our world better and more beautiful.

Schwartz Scholarship Competition

Mega-musical king Stephen Schwartz was in Dayton accompanying his blockbuster hit Wicked. The three weeks of Wicked’s residency at the Schuster will break all records.

Schwartz was also present for the third annual Musical Theatre Scholarship Competition which bears his name. A joint venture of the Human Race and Victoria, the competition gives an opportunity to recognize and celebrate the best of aspiring musical theater students.

Seven finalists are selected from more than 30 candidates. They each sing two songs, one by Stephen Schwartz, and the winners are declared. Held this year at the Mathile Theatre, the evening was hosted by Wicked cast member and Human Race actor Daniel Torres.

Talent flowed from the finalists - Hilary Fingerman, Kelsey Cathleen Hopkins, Rachel Jones, Charity Farrell, Andrew Koslow, Charlie Mann and Alexandra Sunderhaus.

All are musical theater majors. They must be A+ students since each could really “sell a song.”

The two winners, Charity Farrell and Andrew Koslow, were first among equals as the future of our talent pool is safe and flourishing!

Kimberly Akimbo

Last week I wrote about the world’s most famous dysfunctional families, Oedipus and company. Their problems: Oedipus killed his father, married his mother, brought a plague on his city, and blinded himself after the suicide of his wife. A pretty impressive list of troubles.

Dayton Theatre Guild, in mounting David Lindsay-Abaire’s Kimberly Akimbo, almost eclipsed Oedipus in dysfunctionality . The only problem is that the vehicle to explore this very sick family was a very uneven play. Even direction by Saul Caplan and fine acting by the cast could not save this shouting match of very unloveable people.

Kudos go to Ellen Finch who takes the most unusual roles to the heights and Megan Cooper who does that to all her roles. In his Guild debut, high schooler Tim Moore was wonderful.

Remembering Paul Magill

This column must mark the passing of a special person. Paul Magill was central to the music life of greater Dayton, especially Oakwood. He touched so many with his devotion to art and to life. He and lovely Peggy were the friends we all need and want.

St. Paul’s Episcopal Church gave Paul a most impressive and beautiful memorial on February 22nd. The magnificence of the service was nearly as magnificent as the man.

 

DPO to present Strauss & Schumann March 12

The Dayton Philharmonic Orchestra’s 09-10 Classical Connections series will conclude on Friday, March 12 with “Strauss & Schumann: Romanticism Unbound.” The concert will be performed at 8 p.m. at the Schuster Center

The March 12 program examines the personalities and contrasting styles of two influential masters of music’s Romantic period: the introverted, traditional Robert Schumann (celebrating his bicentennial in 2010) and the extroverted, experimental Richard Strauss. Maestro Gittleman will explore the two composers’ unique musical voices through iconic works from each: Schumann’s Symphony No. 3 (“Rhenish”), and Strauss’s tone poem Death and Transfiguration.

Tickets for the March 12 concert range from $12 - $39 and are available by calling (888) 228-3630 or by ordering on the web at www.daytonphilharmonic.com.

Pianist Leon Bates performs with DPO

Samuel Barber’s Piano Concerto will be performed by the expressive, masterful pianist Leon Bates who starts a two-week DPO residency with this program. He will return to the Schuster stage for the Gershwin on Broadway program the following weekend.

Pianist Leon Bates welcomes the millennium with plans that include recordings, performing new works and continued joy in performing for audiences the world over.

Since winning the Philadelphia Orchestra Senior Auditions as a student over 20 years ago, Leon Bates has emerged as one of America’s leading pianists. He receives invitations to the most prestigious concert halls, and his performances have warranted critical and audience accolades in Carnegie Hall, Alice Tully Hall, Kennedy Center, Philadelphia’s Academy of Music, the Hollywood Bowl and the Masonic Hall in San Francisco, presented by the Four Seasons Concert Association. He appeared in Naples, Italy in two recitals and took part in the filming of Music in the 20th Century telecast on PBS.

Leon Bates’ work with young people is extraordinary. In one season alone, he often performs over 50 residency programs in conjunction with orchestra engagements and recitals, to inspire, motivate, and delight America’s youth as he opens their minds and hearts to the love of music.

His sheer mastery of his instrument has led to many invitations to perform with major symphonies, such as the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, the National Symphony, the Los Angeles Philharmonic, the American Symphony, the Oregon Symphony, the San Francisco Symphony, the Detroit Symphony, and the Atlanta Symphony.

His large repertoire includes over 30 concerti by the major composers, several contemporary concerti, and he has earned a reputation for his masterful performances of works by the romantics, such as Rachmaninoff, and his brilliant performances of George Gershwin’s Rhapsody in Blue and Concerto in F.

He has performed all over the world, appearing with the Vienna Symphony, the Sinfonica dell’Accademia Nazionale di Santa Cecilia in Rome, the Strasbourg Symphony in France, and Canada’s Victoria Symphony. He played a series of concerts in South Africa with the National Symphony Orchestra and the Natal Philharmonic.

Recently, Leon Bates performed with orchestras in the U.S. and Europe, including the Orchestra of Pomeriggi Musicali di Milano in Italy and the Malmo Symphony of Sweden. He appeared with the Battle Creek Symphony and the Southwest Michigan Symphony Orchestra, in connection with the Gilmore International Keyboard Festival in Michigan. He also performed with the Philadelphia Orchestra and with the Italian Symphony Orchestra of Bergamo on its U.S. tour, which included a concert at Carnegie Hall.

 

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